NaționalitateStatele Unite ale Americii, Chile, Panama
LimbiSpaniolă (Limba maternă), Engleză (fluent), Engleză - americană (fluent), Engleză - britanică (Cunoștințe de bază), Germană (Cunoștințe de bază), Italiană (Cunoștințe de bază)
Născut1982, Panama, Panama
Vârsta de joc37 - 47
Înălțime185 cm
Tipuri etniceLatino / Hispanic, Multietnic
ReședințăBerlin - Berlin (Germania), Florida (Statele Unite ale Americii), Berlin - Berlin (Germania)
Opțiuni de cazareSantiago (Chile), Panama (Panama), Munich - Bavaria (Germania), Madrid - Madrid (Spania)
Permis de muncăEuropean Union, United States
Date de contact alternative:
Limbi Spaniolă (Limba maternă), Engleză (fluent), Engleză - americană (fluent), Engleză - britanică (Cunoștințe de bază), Germană (Cunoștințe de bază), Italiană (Cunoștințe de bază)
Dialecte Southern - American (Dialect nativ), Standard American (fluent)
Accente Caraibe (Accent nativ), Latin American (Accent nativ), Spaniol (Accent nativ), Sud-american (Accent nativ), Englez (foarte bun), Mexican (foarte bun), American (bun), Argentinian (bun)
Dans Antrenament de dans (foarte bun), Bachata (foarte bun), Butoh (Japonia) (foarte bun), Coregrafie (foarte bun), Dans latino-american (foarte bun), Dans teatral (foarte bun), Improvizație de dans (foarte bun), Merengue (foarte bun), Salsa (foarte bun), Afro (bun), Balet (bun), Cha Cha Cha (bun), Dancehall (bun), Dans african contemporan (bun), Dans tradițional african (bun), Disco (bun), Forró (bun), Freestyle (bun), Rumba (bun), Capoeira (Cunoștințe de bază), Dans urban (Cunoștințe de bază), Dansul Swing (Cunoștințe de bază), Samba (Cunoștințe de bază), Street Dance (Cunoștințe de bază)
Tonul vocii / dublarea vocii Bariton
Instrumente muzicale Cajón (foarte bun), Flaut (bun), Percuție (bun), Tobe africane (bun), Bongo (Cunoștințe de bază), Charango (Cunoștințe de bază), Chitară (Cunoștințe de bază), Percuție (Cunoștințe de bază)
Sporturi Aerobic (foarte bun), Biliard (foarte bun), Karate (foarte bun), Tai Chi (foarte bun), Tai Chi Chuan (foarte bun), Yoga (foarte bun), Înot (foarte bun), Arte marțiale (bun), Baschet (bun), Bicicletă de munte (bun), Bowling (bun), Box (bun), Ciclism (bun), Jogging (bun), Motocicletă (bun), Pilates (bun), Rafting (bun), Schi nautic (bun), Scrimă (bun), Volei (bun), DL - Defense Lab / DNA Fight Science System (Cunoștințe de bază), Fitness (Cunoștințe de bază), Greutăți (Cunoștințe de bază), Kayak (Cunoștințe de bază), Patinaj pe gheață (Cunoștințe de bază), Tenis (Cunoștințe de bază), Tenis de masă (Cunoștințe de bază)
Permise de conducere Mașină
Alte competențe Profesor de dans
Vârsta de joc 37 - 47
Înălțime 185 cm
Fizic atletic
Greutate 80 kg
Culoarea ochilor căprui
Culoarea părului șaten
Tunsoare lungime medie creț
Păr facial Barbă
Geamăn Nu
Tipuri etnice Latino / Hispanic, Multietnic
Tatuaj Da, nu este vizibil
Piercing Niciunul
Ochelari Nu
Cicatrici Niciuna
Andres Garcia
Regia
Membru al ansamblului
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Monolog
Dramă, Monolog
Malucha Pinto
Regia
Rol principal
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Regia
Rol secundar
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Regia
Rol secundar
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Regia
Rol principal
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Regia
Juan José
Rol principal
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Regia
Lina
Rol principal continuu
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Regia
Rol principal
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Regia
Ivanov
Rol principal
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Regia
Rol continuu
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Gonzalo Diaz
Regia
Armando
Rol secundar
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Film de scurtmetraj
Antonia Renard
Regia
Josué
Rol principal
Matthias Glasner
Regia
Aguti
Rol secundar
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
Film de scurtmetraj
Antonia Renard
Regia
Josué
Rol principal
Gonzalo Diaz
Regia
Armando
Rol secundar
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
Monolog
Dramă, Monolog
Malucha Pinto
Regia
Rol principal
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
Malucha Pinto
Regia
Rol secundar
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
Malucha Pinto
Regia
Rol secundar
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
Aliocha de la Sotta
Regia
Rol principal
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
Eduardo Herrera
Regia
Juan José
Rol principal
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
Paulina García
Regia
Lina
Rol principal continuu
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
Cristina Alcaide
Regia
Rol principal
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
Paulina García
Regia
Ivanov
Rol principal
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
Raul Osorio
Regia
Rol continuu
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
Andres Garcia
Regia
Membru al ansamblului
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
Antonia Renard
Regia
Co-lider (supporting lead)